Ultimate Collection 1929-57

Ultimate Collection 1929-57

Ultimate Collection 1929-57 Rating:

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(2014/Acrobat) 129 tracks,  5-CD-set.
One of the most important pioneeers of the electric blues sound. Comprehensive overview of the decades of his recording career. 1929 – 1957.

Medium 1
Wichita falls blues (oak cliff t-bone)
Trinity river blues (oak cliff t-bone)
T-bone blues (with les hite orchestra )
Mean old world (oak cliff t-bone)
I got a break baby (with freddie slack (piano))
Sail on boogie (marl young’s orch)
I’m still in love with you (marl young’s orch)
T-bone boogie (marl young’s orch)
Evenin’ (marl young’s orch)
Mean old world blues (marl young’s orch)
You don’t love me blues (marl young’s orch)
My baby left me (marl young’s orch)
Come back baby blues (marl young’s orch)
I can’t stand being away from you
She is going to ruin me
Bobby sox blues (with jack mcvea all stars)
I’m gonna find my baby (with jack mcvea all stars)
No worry blues (with jack mcvea all stars)
Don’t leave me baby (with jack mcvea all stars)
Don’t give me the runaround (with the al killian quintet)
It’s a low down dirty deal (with the al killian quintet)
I’m in an awful mood
Hard pain blues
I know your wig has gone
Call it stormy monday but tuesday is just as bad

Medium 2
# xmcdT-bone jumps again
She had to let me down
Long skirt baby blues
Goodbye blues
Midnight blues
She’s my old time used to be
Too much trouble blues
Long lost lover blues
Dream girl blues
Triflin’ woman blues
I’m waiting for your call
On your way blues
Hypin’ woman blues
So blue blues
Lonesome woman blues
That’s better for me
First love blues
The natural blues
Inspiration blues
Description blues
T-bone shuff…

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Lost Tracks 1929-1959: The Decca Test Records, The Radio Years, On Stage, The Gumm Sisters

Lost Tracks 1929-1959: The Decca Test Records, The Radio Years, On Stage, The Gumm Sisters

Lost Tracks 1929-1959: The Decca Test Records, The Radio Years, On Stage, The Gumm Sisters Rating:

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In Chronological Order, Volume 1 (1929-1933)

In Chronological Order, Volume 1 (1929-1933)

In Chronological Order, Volume 1 (1929-1933) Rating:

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(1929-40) (78:47/26)

Medium 1
Wang Wang Harmonica Blues
Sisco Harmonica Blues (Carver Boys)
Black And Evil Blues
Little Brother Blues
Baby, Won’t You Doodle-Doo-Doo
Howling Wolf Blues
Crying Blues
Things About Coming My Way
Bad Depression Blues
Greenville Sheik
Good Gal
High Brown Cheater
Double Crossing Women
So Sweet, So Sweet
Lazy Black Snake Blues
Down-Hearted Man Blues
Low Cotton
Blood Red River (Blues)
Jesus Gonna Make Up My Dying Bed
Motherless Children
Pure Religion Hallilu (Take 1)
Pure Religion Hallilu (Take 2)
I Don’t Intend To Die In Egyptland
This Heart Of Mine
There’s A Man Goin’ Around Taking Names
Lay Some Flowers On My Grave

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When The Roses Bloom In Dixieland: Their Complete Victor Recordings – 1929-1930

When The Roses Bloom In Dixieland: Their Complete Victor Recordings – 1929-1930

When The Roses Bloom In Dixieland: Their Complete Victor Recordings - 1929-1930 Rating:

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Wohlauf, Kameraden! German Cavalry Marches and Songs, 1928-1941

Wohlauf, Kameraden! German Cavalry Marches and Songs, 1928-1941

Wohlauf, Kameraden! German Cavalry Marches and Songs, 1928-1941 Rating:

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This album features twenty-two tradition steeped cavalry marches and songs from the last three hundred years of German history, presented in performances recorded between 1928 and 1941 by the actual bands of the Reichswehr’s and Wehrmacht’s elite cavalry regiments, as well as other German military, mounted and horse-drawn formations of the interwar- and early-World War II period.

Assembled in this compilation is a representative assortment of all the types of marches once performed by German cavalry- and field artillery units on parade. These include slow marches, marches at a trot and marches at a gallop, as well as several presentation marches played by ancient regiments whose names have long been celebrated in the annals of German military history. Further, in keeping with the cavalry ‘feel’ that this album strikingly conveys, several of the featured selections are introduced by cavalry bugle calls and/or kettle drum rolls, while the rarely-heard ‘Paradepost’ of the Prussian cavalry a fixture at German military parades that featured mounted units is also presented. Finally, and certainly most uniquely among all the German ‘cavalry’ compilations on CD that have appeared to date, ‘Wohlauf, Kameraden’ features magnificent vocal renditions of the most famous battle songs sung ‘in the saddle’ by German cavalrymen in wars throughout the last two centuries.

‘Wohlauf Kameraden’ has been highly acclaimed by the specialist press for its audio fidelity and technical quality, as well as for its scholarship. The electrical recordings assembled in this compilation date from an era which itself saw significant advances in recording technology, and they have been skillfully reengineered to ‘unleash’ their already considerable fidelity without compromising their historical authenticity or their period atmosphere. As an added bonus, the album also includes a twenty-four-page insert booklet (richly illustrated with previously unpublished photographs) that presents a survey of the history of cavalry in the Reichswehr and Wehrmacht, its traditions, the structure of German army mounted bands and the background of the featured musical selections.

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Collection 1929-53

Collection 1929-53

Collection 1929-53 Rating:

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Oran ‘Hot Lips’ Page was a jazz trumpeter, vocalist and bandleader whose extrovert and exciting style allied to his showmanship made him a popular performer with audiences and fellow musicians alike, equally at home as a sideman in other leaders’ ensembles or leading his own bands. He started playing professionally in his native Texas, where he worked with top blues performers during the ’20s, becoming a feature of the Kansas City scene with Walter Page and Bennie Moten in the early ’30s, before a recording hiatus during the depression years. He would probably have had an even more illustrious career had he not left the Count Basie band after a short stay during the late ’30s to go solo, but as it was he became a ubiquitous fixture of the jazz scene during the ’40s, recording with a variety of line-ups and was especially popular for his ability to thrive in impromptu jam sessions. This great value 46-track collection brings together recordings with a wide selection of ensembles, both as sideman and leader, during the quarter century that comprised his main recording career, from his first recordings in 1929 through to some R&B flavoured material he recorded in the year or two before his premature death in 1954 at the age of 46. Not surprisingly, given the regard in which he was held, it features performances by some of the top names in the genre with whom he recorded, including Artie Shaw, Ben Webster, Billie Holiday, Albert Ammons, Big Joe Turner, Eddie Condon, Sidney Bechet and many more. It’s an entertaining overview of a musician who has not received the attention that he deserves.

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Complete Recorded Works In Chronological Order, Vol. 1 : May, 1928 – January, 1929

Complete Recorded Works In Chronological Order, Vol. 1 : May, 1928 – January, 1929

Complete Recorded Works In Chronological Order, Vol. 1 : May, 1928 - January, 1929 Rating:

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No description available.

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